As a nationwide brand, School of Rock has been providing students valuable music education and live performing opportunities for years. The joint-venture with School of Rock will allow Orange County students to have access to otherwise hard-to-reach recording technology, engineers and producers to further their enrichment and develop their passion or potential career in music. As one of Orange County's premier recording studios, production and music education destinations, their diverse and budget-friendly array of services has created an important impact in the music community.
Since i didnt know anyone who had done this (and we almost didnt make any tests) i was as nervous as i could be imagening that all the time spent was not going to work.TUSTIN, CA, Octo/24-7PressRelease/ - ReAmp Studios is celebrating their 1-year anniversary of their flagship studio in Tustin and have announced exciting news of company growth, expanded service offerings and a new joint-venture with Tustin's School of Rock. Reamp time was a specially stressful time. Since i had to record him, it was very frustating to wait until he got the parts right (really ugly fights because of this)Ģ.
Firstly, the other guitarist in my band didnt practice enough since he knew we werent gonna spend much money in studio time. In my case there were a couple of issues because of this:ġ.
Maybe at 2am you cant sleep, so why not try to record some stuff?Ĥ. Editing dry signal is much easier than editing a final recording.ģ. do the same with delays, amp channel GAIN, etc.ġ. If your going to use a compressor before the amp, add a compressor to your plugin. You need to know basically how your signal is going to interact with the final signal chain. Monitor yourself with really close-to-final-recording-sound plugins. I had this problems at some point, and i had to lower the pickups a bitĥ. Even though the volume may appear at -1, the orginal signal can be sent clipped. Zoom in on the waveform, and make sure the input levels are not clipped ( ). I didnt let the input level surpass -1db. Make sure that you record all tracks at the pre volume input(this way you always know how dynamics will work once the dry track is reamped)ģ. Pretty obvious, but just to be safe: Record the dry track in mono, not stereo (im not talking about doubling guitars, that's a whole different issue)Ģ. But i guess you can use your studio pod's input aswell, as long as it's recorded dry. Guitar plugged into the instrument input on my interface (in my case a firepod). (upcoming shortly!) The way i did it was: So, i have the Studio Pod on its way to me already, Ableton Live is included (as well as "POD Farm", but i guess i wont need that for the dry signal) and i just asked myself: if this is possible, what else do i need and how does this need to be recorded? (bit /khz/ aaah.what?) i am a total recording noob, so sorry if this is kinda a dumb question. Then i started thinking about: why not record a "dry" signal of the guitars at home, and then just re-amp these tracks in the studio? this could save us a lot of time and money, and if done properly, this should work i think. i recently ordered a Line 6 Studio POD UX1, because i got a good deal, so i can in addition record a "pilot guitar" track, for easier practising for the other band-members, and also that we can save time in the studio and already have the pilot guitar track ready. to prepare accordingly, i am currently programming the click-tracks (in guitar pro) so everyone can practice at home already to play "in time". In a few months (in June) we want to record our new album.